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Direction & Music Direction
SCOTT SACKETT Choreography CHELSEA ALLEY Technical Director MASON CHRISTENSEN Stage Manager ABIGAIL MOISES Assistant Stage Manager EMARY YANEZ AUBREY HACKE Costume Designer DANA BLAKE Lighting Designer RYAN MADSEN Sound Designer JACOB PALLER Shop Manager CATHERINE TOBLER Set Painting Lead KATRINA SHARP |
OHS Administration
TAMARA STUART AMANDA HUNT CHAD WILSON JASON AVERETT KENLEY BROWN Backing Tracks RIGHT ON CUE SERVICES www.rightoncueservices.com Parent Coordinator DARLENE GOATES Lighting Assistants CLARK BRAGG MAX GOODEY Spot Operators AUBREY HACKE IRIS HOLLINGSHAUS Backing Tracks Operator ADAM DRINKWATER Props Manager EMILY ERNSTROM Pros Assistant MORGAN SNOW Hair & Makeup Design EMARY YANEZ Hair & Makeup Consultant KRISTEN ALLEY |
Set Builders
CLARK BRAGG JULIAN MILES MAX GOODEY RYAN MADSEN Costume Assistants MARIE DAENEKAS AMINADI WHITE JOSEFINA JIMENEZ Hair & Makeup Artists (HMU) LEE STRINGFELLOW ADDISON BROWN ADDIE LEAVITT JOSEFINA JIMENEZ IRIS HOLLINGSHAUS SET PAINTERS KAMRYN FENN LEE STRINGFELLOW ADDISON BROWN ADDIE LEAVITT MAREN BLAKE MORGAN SNOW SAWYER SEAMONS ANNIKA HOBBS JAZMIN VARGAS LILLIAN SHARP MIA PINO EMMA LEON |
The use of any recording device, either audio or video, and the taking of photographs without flash, is strictly prohibited.
"It's family first, and family last, and family by and by." I think about this phrase often and wonder if I'm doing a good at achieving this ideal. Does my wife, and do my children, know that they are the priority for me today, tomorrow, and always? Do my siblings and parents know that I care deeply about them and love the chance to interact with them whenever I can? What about my cousins, uncles, aunts, and grandparents? Do they understand just how much I am willing to do for them even if I'm not always the best at showing it? Also, my friends? To me, they are basically family and so do THEY feel the love and concern I have for them even when life is crazy and I never can see them? Do the people that matter in my life know just how much they matter? I certainly hope so! If not (and you happen to read this), now you do! :D
When I decided to do Addams Family this year, I was expecting it to just be a fun show, with KILLER music, that will make me laugh and forget cares for a bit; little did I realize just how deep this show gets! Hidden beneath the darkness, grief, and unspeakable sorrow is an absolute gem of a production that reminds us all just how vital relationships are in our lives. It reminds us that a person's background, political leanings, or thoughts on life and death are not what truly matter. What matters is the person. What matters is who they are. What matters is that they are being seen. What matters is that they are loved, not in spite of their oddities or differences, but because of them! Tonight I hope that you can love Fester's endearing quirkiness, Grandma's energy and zeal, Lurch's dedication and precision, Pugsley's innocence and longing, Wednesday's fire and joy of discovering joy, Morticia's passion and desire for truth, and Gomez' love of life and his willingness to do anything for his family. The Addams are different and that's what makes us love them. There's a lesson in that if you choose to find it.
Thank you SO much to everyone who has made this production possible. In particular, thank you to my wonderful wife and family that are willing to give me up to be able to do this wonderful thing called theater. They mean the world to me and I hope they know that.
I say all the time that I have the best job in the world and a big part of that is because of you! These students have worked SO hard and we cannot wait to share this production with all of you!
When I decided to do Addams Family this year, I was expecting it to just be a fun show, with KILLER music, that will make me laugh and forget cares for a bit; little did I realize just how deep this show gets! Hidden beneath the darkness, grief, and unspeakable sorrow is an absolute gem of a production that reminds us all just how vital relationships are in our lives. It reminds us that a person's background, political leanings, or thoughts on life and death are not what truly matter. What matters is the person. What matters is who they are. What matters is that they are being seen. What matters is that they are loved, not in spite of their oddities or differences, but because of them! Tonight I hope that you can love Fester's endearing quirkiness, Grandma's energy and zeal, Lurch's dedication and precision, Pugsley's innocence and longing, Wednesday's fire and joy of discovering joy, Morticia's passion and desire for truth, and Gomez' love of life and his willingness to do anything for his family. The Addams are different and that's what makes us love them. There's a lesson in that if you choose to find it.
Thank you SO much to everyone who has made this production possible. In particular, thank you to my wonderful wife and family that are willing to give me up to be able to do this wonderful thing called theater. They mean the world to me and I hope they know that.
I say all the time that I have the best job in the world and a big part of that is because of you! These students have worked SO hard and we cannot wait to share this production with all of you!
Gomez Addams . . . . . . . . . . . . . . . . . . . . Oscar Ward
Morticia Addams . . . . . . . . . . . . . . . . . Alyssa Goates
. . . . . . . . . . . . . . . . . . . . . . . . . . . Lily Kelson
Uncle Fester . . . . . . . . . . . . . . . . . . Hayden Resendiz
Grandma . . . . . . . . . . . . . . . . . . . . . . . . . Abi Goodey
. . . . . . . . . . . . . . . . . . . . . . . Emma Young
Wednesday Addams . . . . . . . . . . . . . . Eliza Barkdull
. . . . . . . . . . . . . . . . . . . . . . . . Eliza Johnson
Pugsley Addams . . . . . . . . . . . . . . . . . Jackson Aznar
Lurch . . . . . . . . . . . . . . . . . . . . . . . Nathaniel Garrett
. . . . . . . . . . . . . . . . . . . . . . . . . . Ross Taylor
Morticia Addams . . . . . . . . . . . . . . . . . Alyssa Goates
. . . . . . . . . . . . . . . . . . . . . . . . . . . Lily Kelson
Uncle Fester . . . . . . . . . . . . . . . . . . Hayden Resendiz
Grandma . . . . . . . . . . . . . . . . . . . . . . . . . Abi Goodey
. . . . . . . . . . . . . . . . . . . . . . . Emma Young
Wednesday Addams . . . . . . . . . . . . . . Eliza Barkdull
. . . . . . . . . . . . . . . . . . . . . . . . Eliza Johnson
Pugsley Addams . . . . . . . . . . . . . . . . . Jackson Aznar
Lurch . . . . . . . . . . . . . . . . . . . . . . . Nathaniel Garrett
. . . . . . . . . . . . . . . . . . . . . . . . . . Ross Taylor
Mal Beineke . . . . . . . . . . . . . . . . . . . Owen Shumway
Alice Beineke . . . . . . . . . . . . . . . . . . . . . . Mila Brown
Lucas Beineke . . . . . . . . . . . . . . . . . . . . . Cole Herrick
Alice Beineke . . . . . . . . . . . . . . . . . . . . . . Mila Brown
Lucas Beineke . . . . . . . . . . . . . . . . . . . . . Cole Herrick
Dance Corps
Eliza Foster | Flight Attendant
Hudson Heath | Civil War Soldier
Violet Lindstrom | Bobby Soxer
Fabiana Sanchez | Salem Witch
Bailey Schauers | Flapper
Tycen Whitaker | Renaissance Artist
Asher Wong | Gunslinger
Eliza Johnson/Eliza Barkdull | Titanic Passanger
Ensemble
Stella Herrick | Victorian Bride
John McCoy | Conquistador
Jason Owens | Founding Father
Clara Tabla | Pirate
Emma Young/Abi Goodey | French Courtier
Ross Taylor/Nathaniel Garrett | Undertaker
Lily Kelson/Alyssa Goates | Grecian Muse
Eliza Foster | Flight Attendant
Hudson Heath | Civil War Soldier
Violet Lindstrom | Bobby Soxer
Fabiana Sanchez | Salem Witch
Bailey Schauers | Flapper
Tycen Whitaker | Renaissance Artist
Asher Wong | Gunslinger
Eliza Johnson/Eliza Barkdull | Titanic Passanger
Ensemble
Stella Herrick | Victorian Bride
John McCoy | Conquistador
Jason Owens | Founding Father
Clara Tabla | Pirate
Emma Young/Abi Goodey | French Courtier
Ross Taylor/Nathaniel Garrett | Undertaker
Lily Kelson/Alyssa Goates | Grecian Muse
Overture . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra
When You're an Addams . . . . . . . . . . . . . . Company
Fester's Manifesto. . . . .. . . . . . . . . . . . . Uncle Fester,
Ancestors
Wednesday's Growing Up/Trapped. . . . . . . .Gomez
Pulled . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wednesday,
Pugsley
One Normal Night . . . . . . . . . . . . . . . . . . . . Company
But Love Reprise. . . . . . . . . . . . . . . . . . . Uncle Fester,
Ancestors
Secrets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Morticia,
Alice,Ancestors
What If . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gomez,
Pugsley
Full Disclosure Part 1. . . . . . . . . . . . . . . . . . .Company
Waiting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alice
Full Disclosure Part 2. . . . . . . . . . . . . . . . . . . Company
When You're an Addams . . . . . . . . . . . . . . Company
Fester's Manifesto. . . . .. . . . . . . . . . . . . Uncle Fester,
Ancestors
Wednesday's Growing Up/Trapped. . . . . . . .Gomez
Pulled . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wednesday,
Pugsley
One Normal Night . . . . . . . . . . . . . . . . . . . . Company
But Love Reprise. . . . . . . . . . . . . . . . . . . Uncle Fester,
Ancestors
Secrets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Morticia,
Alice,Ancestors
What If . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gomez,
Pugsley
Full Disclosure Part 1. . . . . . . . . . . . . . . . . . .Company
Waiting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alice
Full Disclosure Part 2. . . . . . . . . . . . . . . . . . . Company
Entr'acte . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra
Just Around the Corner . . . . . . . . . . . . . . . . Morticia,
Ancestors
The Moon and Me . . . . . . . . . . . . . . . . . Uncle Fester,
Female Ancestors
Happy/Sad . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gomez
Crazier Than You . . . . . . . . . . . . . Wednesday, Lucas
Not Today . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gomez
Live Before We Die . . . . . . . . . . . . . . Gomez, Morticia
Tango de Amor . . . . . . . Morticia, Gomez, Company
Move Toward the Darkness . . . . . . . . . . . . Company
Bows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Company
Just Around the Corner . . . . . . . . . . . . . . . . Morticia,
Ancestors
The Moon and Me . . . . . . . . . . . . . . . . . Uncle Fester,
Female Ancestors
Happy/Sad . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Gomez
Crazier Than You . . . . . . . . . . . . . Wednesday, Lucas
Not Today . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gomez
Live Before We Die . . . . . . . . . . . . . . Gomez, Morticia
Tango de Amor . . . . . . . Morticia, Gomez, Company
Move Toward the Darkness . . . . . . . . . . . . Company
Bows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Company
Thank you for your support of the Orem High Drama Program! If you are interested in donating to the progam to help us continue to produce these incredible shows, please consider scanning the qr code and making a donation!
